Posts Tagged ‘off broadway’

The Karpovsky Variations: A Brilliant, Engaging and Haunting Study in Family Relations

Playing through the end of the month, Adam Kraar’s is a study in family relations. The off-Broadway play makes its world premiere courtesy of Boomerang Theatre Company.

Courtesy Boomerang Theatre Company

Julia Karpovsky’s father Lawrence is brilliant and talented. Living away from his family, somewhere across the globe, with his daughter Julia and a very absent mother, he is always on a plane or smoking a pipe to seemingly hide from something, Laurence is struggling with his wife and also having difficulty establishing a relationship with Julia. His brothers, Barry and Harold, live in the US and have welcomed Julia into their complicated lives as she moves to the United States for school.

Photo by Isaiah Tanenbaum Theatrica

Growing up among her eccentric and disparate relatives, Julia navigates her way through a family with a missing piece and a father who has walked back from his musicality to a life of running from country to country as a journalist. She, herself, is trying to find herself as a musician, linking her clarinet play to elusive notes connected with Jewish melodies that she heard her father play when she was a child. We see her evolve from a child to an adolescent all in the opening scene, leading to her transformation as a “wandering Jew,” unsure of how she fits in.

Photo by Isaiah Tanenbaum Theatrica

The play runs for 120 minutes with a short 10-minute intermission and switches back and forth in time periods, not unlike many of our favorite television shows today such as This Is Us. The matriarch of the family, Great Momma Rose, appears both in real time and in after-death flashbacks as a symbol of what the Karpovsky family was and could be in different times. A fascinating glimpse into the search for connection with people and through music, the play traces the Karpovskys’ encounters at airport lounges over two decades as they improvise what it means to be a family, bringing kugel to share along with tales of disappointments and problems.

Playwright Adam Kraar creates stories about cross-cultural clashes and connections, including works about American families in Asia, the Civil Rights Movement, and quixotic rebels who challenge societal boundaries. Adam’s plays have been developed and/or produced at Primary Stages, The Public Theatre, Theater for the New City, Theatreworks U.S.A., The New Group, N.Y. Theatre Workshop, Cherry Lane, LaMama, Stella Adler Studio, Geva Theatre, and many others.

The talented ensemble includes:

Photo by Isaiah Tanenbaum Theatrica

Ezra Barnes as Lawrence Karpovsky has performed in many off-Broadway shows including Queen, Breakfast with Mugabe, Transparent Falsehood, To Kill a Mockingbird in White, America English Bride, The Miser and Richard II.

Photo by Isaiah Tanenbaum Theatrica

Like her character Julia Karpovsky, Rivka Borek is a third culture kid, growing up in Hong Kong and London before moving to America at 15. She has been seen in Off-Broadway in Love’s Labour’s Lost and in regional productions including Hamlet; Sense and Sensibility, Oh Gastronomy! , Shrew, and Romeo and Juliet.

Photo by Isaiah Tanenbaum Theatrica

Barbara Broughton, Great Momma Rose, is familiar to New York theater audiences from Sunday in The Park with George and Music Music on Broadway and off-Broadway in Grey Gardens and A Little Night Music.

Photo by Isaiah Tanenbaum Theatrica

J. Anthony Crane, Barry Karpovsky, has played in NYC on Broadway in The Country House, Sight Unseen, Butley and The Winslow Boy and is familiar from TV’s Succession.

Photo by Isaiah Tanenbaum Theatrica

Michelle Liu Coughlin, Maxine, is an actress, singer, and producer. Michelle toured with Lincoln Center’s Tony-winning revival of The King and I and has worked extensively in New York and regional theatre including City Center, Playwrights Horizons, and York Theatre.

Photo by Isaiah Tanenbaum Theatrica

Chris Thorn plays Harold Karpovsky and has been seen on Broadway in Bernhardt/Hamlet and Off-Broadway in Pride and Prejudice and Twelfth Night.

Tickets are available at Boomerang Theatre Company Presents: The Karpovsky Variations – Events (onthestage.tickets) with the last performance scheduled for Sunday, May 29 at The Jeffrey and Paula Gural Theatre at A.R.T./NY , 502 West 53rd Street, New York, New York.

“Caesar & Cleopatra” Takes the Throne at Theatre One

Fine acting, a rarely performed play, and a story that moves from period to present are all drawing cards for George Bernard Shaw’s Caesar & Cleopatra at Theatre One -Theatre Row.  With so many Broadway offerings at big-ticket prices and often-limited availability, this show is a dream: the price is right, the actors are in prime form, and the storyline is intriguing. And it’s from the vaults of theatrical history dating from 1898.

In the intimate Theatre One, actors enter from a myriad of directions – from on stage, from above stage, and from the back of house.  You’re surrounded in what is akin to 360 degree staging.

The story is a progression of the development of Cleopatra, Queen of Egypt, from a child (a kitten) to a true queen (a lioness) through the guidance of Caesar. If the story sounds familiar, it’s one of George Bernard Shaw’s favorites: the tutelage of an ingénue to transform her into a diva.  The recent restaging of My Fair Lady was that story; Shaw’s Pygmalion-My Fair Lady hints at what can be expected  in Caesar and Cleopatra.

Ftatateeta, Cleopatra’s nurse, is the first character onstage in a role that reminds one of Leading Player in Pippin. She explains what will transpire, she invites you the audience to participate, and she fills in the blanks while also acting her role.  “You will help me. You will all help me. We will all dream together,” she cajoles. And thus the show begins.

Photo Credit: Carol Rosegg

Next come a mélange of Romans and Egyptians, with a story of supremacy, aid and ultimate learning. Humor is interjected in places with characters like Apollodorus the Sicilian milking his heritage for all it’s worth and Cleopatra’s brother Ptolemy, the rightful ruler of Alexandria, depicted as an Avenue Q-like puppet.

Produced by the Gingold Theatrical Group, Caesar & Cleopatra is a show that offers a peek into dominance, greed and power while also extolling the virtues of clemency and wisdom. The themes resonate today, without a doubt.  Director David Staller sums it up, “Caesar & Cleopatra reminds us of the vital importance of being an active part of our lives, of having the courage to make bold personal choices with the caveat that we take responsibility for those choices, and above all, to always leave our hearts open to discovery and to love.”

Photo Credit: Carol Rosegg

Caesar & Cleopatra runs through October 12, Theatre One – Theatre Row, 410 West 42ndStreet.  Tickets are available at https://www.telecharge.com/Off-Broadway/Caesar-and-Cleopatra/Overview?AID=AFF000009900&cm_mmc=Playbill-_-affiliate-_-web-_-AFF00000990.

Off-Broadway Week: 2-for-1 Tickets Starting September 24 on Sale Now

Off-Broadway fans will love NYC & Company’s 10th Off-Broadway Week, from September 24 through October 7.  Tickets are now on sale at 2-for -1 pricing for 38 productions. If you’ve never seen an Off-Broadway show, this is the time to try out something new. Theater in NYC is much more than blockbuster musicals and long-running plays on Broadway – there’s much to love about the creative productions often set in much smaller, more intimate theaters. And the values are terrific.

Some of the shows offered include critically acclaimed musical Avenue Q, formerly on Broadway, Drunk Shakespeare, revivals of Jersey Boys and Smokey Joe’s Café, and fan favorites Gazillion Bubble Show, Puffs and STOMP.

All tickets are subject to availability, so hurry to purchase yours now. Tickets for the 10th NYC Off-Broadway Week can be purchased now at nycgo.com/off-broadway-week.

The 38 shows participating in NYC Off-Broadway Week Fall 2018 are:

  • Apologia
  • Avenue Q
  • Because I Could Not Stop: An Encounter with Emily Dickinson
  • Blue Man Group
  • The Book of Merman
  • Desperate Measures
  • Drunk Shakespeare
  • El Coronel No Tiene Quien Le Escriba
  • Final Follies
  • Gazillion Bubble Show
  • Gloria: A Life
  • I Was Most Alive with You
  • The Imbible: A Spirited History of Drinking
  • India Pale Ale
  • Jersey Boys
  • The Marvelous Wonderettes
  • Midnight at The Never Get
  • Monday Night Magic
  • Naked Boys Singing
  • NEWSical The Musical
  • Neurosis: A Musical That Gets in Your Head
  • On Beckett
  • Perfect Crime
  • Popcorn Falls
  • Puffs, Or: Seven Increasingly Eventful Years at a Certain School of Magic & Magic

An Insider’s Guide to Broadway and Off-Broadway: What to See, What to Do, Where to Eat

No visit to New York City is complete without sampling two things: theater and restaurants. You may consider yourself a world traveler, and you may have dabbled in international cuisine and some touring shows, but nothing compares to the bright lights and shiny plates of the Big Apple.

A trip down Manhattan’s Great White Way offers up a confusing and varied selection of musicals and plays, some veteran productions that are now crisscrossing the US and others seen only in Manhattan.  My advice is to skip “Kinky Boots” and “Beautiful – The Carole King Musical” (you’ve probably already seen them this year), or “Phantom of the Opera” (it’s now in its 31st  year on Broadway) and go for the newer shows that theater divas rave about.

I Want to Hear Some Singing

Come from Away

Among musicals, two should be on your “don’t miss” list. “Come from Away,” a 100-minute jewel box of a show, wins the hearts of theatergoers every performance with its touchingly humanitarian story of travelers stranded outside of the US in the days following 9/11. Cast members play multiple roles, the songs are memorable, and the story strikes a chord. The equally captivating “Dear Evan Hansen” is a narrative about a topic that resonates with many families. Written by director Michael Greif, Dear Evan Hansen will have you remembering just how important musicals can be in building awareness of difficult topics. TONY winners “Once on This Island” (best musical revival, 2018) and “The Band’s Visit” (best new musical, 2018) should also be on your go-to list. For a night of pure fun, “Mean Girls” does the trick.

But Drama is What I Prefer

Harry Potter and the Cursed Child

It’s filled with magic and the characters that you love, so don’t delay in sourcing a ticket to “Harry Potter and the Cursed Child,” the two-part spectacular that was an enormous hit in the West End and is currently wowing audiences on Broadway. It’s a drama that the entire family will appreciate, especially if they’ve read all the books.  Do you love farce?  Then you absolutely have to see “The Play That Goes Wrong,” another British import that will have you laughing until your sides hurt.  Seriously.  You may want to see it twice, just to catch all the lines that you miss in this rapid-fire silly show.

There’s More to Broadway than Broadway

Jersey Boys

Off-Broadway refers to a number of smaller theaters located minutes away from traditional Broadway houses or in other parts of the city. The shows in these alternative venues may have stripped-down sets or may function as tryout spaces for future Broadway runs. This is where current Broadway mega-hits like “Hamilton” and “The Band’s Visit” started, and, if you see a director, story or cast member that appeals, it’s a great chance to explore. It’s also the place where larger-scale, popular Broadway shows sometimes return for a second incarnation. If you loved “Avenue Q,” “Jersey Boys,” or “Smokey Joe’s Cafe,”  here’s a chance to see them again, refreshed.

Off-Broadway shows usually have limited runs and are announced periodically. Check online for performances at the Public Theater, Signature Theatre, Atlantic Theater Company and Vineyard Theatre among others to see what’s playing when you plan to visit. Then check the reviews – it’s good to experiment!

So, Where Should We Eat?

If the show has an early curtain (7pm instead of 8pm), or a runtime of 90 minutes (instead of 2 ½ hours), you’re probably safe dining after the show. If the thought of eating at 10pm after a longish play makes you queasy, then consider one of the quicker pre-theater options that locals enjoy instead of the overcrowded (and bland) choices that fill Times Square.

Obao

My recommendation is to head to the small, ethnic restaurants on Ninth Avenue.  Give yourself an extra 10 minutes to walk from the theater to these, and you won’t be disappointed.  From 42nd Street to the low 50s, an array of ethnic options offers authentic international dining, the antithesis to Epcot Center. Among the many Thai restaurants, two-story Obao is a standout, offering reasonably priced pan-Asian choices in a casual setting with quick, attentive service. Nearby upscale Marseilles satisfies with lovely French cuisine in a pretty room – the bouillabaisse is an instant ticket to the South of France. Italian Bocca di Bacco will please any oenophile. Other choices are the aptly named Turkish Cuisine and Five Napkin Burger for terrific Istanbul and American dining.

Food halls are the rage in Manhattan, with one of the newest located in the Theater District. Atop the Row NYC hotel, City Kitchen is an upscale version with a carefully curated variety of stalls. Here, local favorites like Luke’s Lobster (lobster rolls), Whitmans New York (cheesesteaks), and Gabriela’s Taqueria (tacos) let you create a smorgasbord of quick-food choices. Grab a seat in the picnic-like area, eat as quickly or as slowly as you’d like, and then mosey off to your show.

The Marshall

After the curtain falls and you’ve gotten an autograph by the stage door, you can continue stargazing by heading to after-show cast favorites like Joe Allen’s, Orso and The Marshall. Or descend the staircase to subterranean Sake Bar Hagi, an izakaya hideout of the photographer set.

Three Ways to Score the Least Expensive Seats

The TKTS booth at 47th Street in Times Square offers deeply discounted tickets for same-day shows, starting at 10am (matinee days), or 2pm (Tuesday) or 3pm (rest of the week).  Other TKTS locations in Brooklyn, at the South Street Seaport and at Lincoln Center have shorter lines. Check the hours of operation online. https://tdf.org/nyc/7/TKTS-Overview

Take your chances on where you’ll go with Broadway Roulette. You indicate whether you want a musical or a play, exclude up to six shows that you don’t want to see, and provide your dates. Broadway Roulette selects the show with the best seats.  https://www.broadwayroulette.com/

Book ahead with Today’s Tix, a theater concierge service that has discounted tickets to many shows and delivers them to you outside the theater.  https://www.todaytix.com

The hitch? With these options, you can’t pick your seats.

Love Farce? The Metromaniacs Closes This Weekend

You have only four more chances to see this romp of a literary farce on Broadway. Meter, rhyming, deceit, and fantasy all play into The Metromaniacs whirl of a show where nothing appears as it truly is. Scheming, mistaken identities and assumed personas play into the lovefest where the ultimate goal is to connect with one’s true soulmate. Set in Paris, 1738, verse- and poetry-mania have created an affinity among residents for couplets.

I don’t want to spoil the intrigue but suffice it to say that you’ll need to pay attention to the goings-on here in much the same way as you’d watch a Shakespearean comedy.

If you enjoy fast-paced language-dependent theater, you’ll have a great time. And the interspersing of current language idioms with 18th-century rhyming and cadence adds to the literary witticism and pleasure. Language nuts will have a field day!

Original Baroque music by Adam Wernick. Gorgeous costumes by Murell Horton. And the wonderful script by David Ives (Venus in Fur, The Liar, All in the Timing).

Instead of a pre-show glass of wine, have an espresso and get ready for a literary tour de force.

Tickets on sale at www.Dukeon42.org. The Duke, 229 West 42nd Street.

Six Broadway and Off-Broadway Shows Closing This Month

It’s time to make good on that New Year’s resolution to see more theater this year.  Book now to see these six great shows which will be ending their runs in January.

Brought to you by Fiasco Theater, the classic Shakespearean comedy, Twelfth Night, tells the story of shipwrecked twins Viola and Sebastian on the island of Illyria. Shakespearean disguises, romance, and humor reign throughout. Classic Stage Company, 136 East 13th Street, New York City. Tickets at http://www.classicstage.org/shows/2017/04/twelfth-night/

Two Lincoln Center shows are closing January 7. The first, Junk, is a fast-paced story about markets, drive and intrigue, set in the 80s. Starring Steven Pasquale (The Bridges of Madison County). Vivian Beaumont Theatre. 150 West 65th Street, New York City.

Tickets at http://bit.ly/2A7VSnv

Photo by T. Charles Erickson

The second, The Wolves, is a story of high school girl angst and issues told by a girls’ indoor soccer team during warm-ups and practices. Great performances and creative staging. Mitzi E. Newhouse Theater. 150 West 65th Street, New York City Tickets at https://www.telecharge.com/Off-Broadway/The-Wolves/Overview.

Photo by Julieta Cervantes

The Irish Repertory Theatre’s staging of James Joyce’s haunting novella, The Dead, 1904, takes place at a Feast of the Epiphany party over the course of one evening, with conversations, music, dancing and dining. What does it mean to be alive, or to be dead? The play ponders these questions. With a premium ticket, you sit a dinner with the actors. Starring John Treacy Egan. The American Irish Historical Society. 132 West 22nd Street. Closing January 7. Tickets at https://irishrep.org/show/2017-2018-season/the-dead-1904-2/.

Photo by Carol Rosegg

If you haven’t made it to Hamilton, but especially if you have, Spamilton is a must-see. Gerard Alessandrini’s hilarious take-off on Hamilton draws from his Forbidden Broadway background, with satires, spins, and superb talent. With Christine Pedi (Sirius XM). 47th Street Theater/Puerto Rican Traveling Theater. 304 West 47th Street, New York. Closing January 7. Tickets at http://bit.ly/2qeF0vF

Willy Wonka will be leaving Broadway on January 14. Starring Christian Borle (Something Rotten, Smash), Emily Padgett, Bed Crawford and Jackie Hoffman. The Broadway adaptation of Roald Dahl’s Charlie and the Chocolate Factory is all about chocolate, The Candy Man, Oompa-Loompas and a chance to win the Golden Ticket. Catch it before you can only see it on the small screen. Lunt-Fontanne Theatre. 205 West 46th Street. Tickets at http://bit.ly/2A7Of0s

Photo By Joan Marcus

The stunning remake of Boublil and Schönberg’s legendary musical Miss Saigon will also be flying away on January 14. Don’t miss your  chance to hear “The American Dream” sung by the fabulous Jon Jon Briones as the Engineer, or see Eva Noblezada in the title role made famous by current Once on this Island star Lea Salonga. Broadway Theatre, 1681 Broadway, New York. Tickets at https://www.telecharge.com/Broadway/Miss-Saigon/Overview

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